New Year update

Happy new Year to you all! Thank you so much for all your lovely comments on my last post. I hit the publish- button the night before we left for New York and never got the chance to answer, but they were all so sweet and heartwarming, so thank you! I hope everyone survived Christmas. We're back to normal over here, no more jetlag and lazy days... I thought I'd show you what I enjoyed seeing the most in New York this time, but I thought I'd get this "thrift and gift" update out of the way first, to keep it a bit chronological.... If you're on Instagram, you've probably seen it already!

I'm such a lucky girl. I got two wonderful pieces of jewellry for my birthday a month ago. Remember my feature about the amazing Juhls silvergallery a couple of posts back? Well somebody's been listening! My husband gave me this beautiful brooch. I love it and have worn it a lot!

From my mum and dad I got this amazing silver ring. On my trip back home this september, we walked past the studio of three amazing female artists that make some wonderful jewellry, all handcrafted. I must have commented on this ring, or mum just knows me really well- anyway, she picked out one of the rings that really made my jaw drop! It's large, concave and oxidized. Really gorgeous!

 
You must be tired of my Festivos and Ultima Thule glasses by now, but I'll just go ahead and show you what's new:-) In early december a seven ringer found it's way to my home. After the "family photo" was taken, a friend told me a three ringer was put aside for me in my local Salvation army store if I wanted it. Boy, did I! It must have been hanging around in a smoker's home, it was all yellow, but an overnight soak in dishwashing detergent cleaned it up nicely.

Most recent family member below

Then my sweet sister gave me six Ultima Thule tumblers! I now have twelve in this size.

 

 

I don't really collect Hadeland Furu (pine), but I have a couple of large plates and I fell for these glass bowls. The design has such a lovely handmade quality, with the uneven edges, none of them identical. The Furu pattern was designed by artist Severin Brørby. I'm a bit unsure of the year, but the information I have found suggests 1972.

  

 

A new Scheurich Fabiola (far left) has joined my most colorful collection of West Germans.

Four Figgjo Tor Viking dinner plates moved into my kitchen. This quirky, cheerful pattern is a Turi Gramstad Oliver design from the 60s. The small plates are from an earlier thrifting spree.

Finally, four new Arabia Ruska plates concludes my thrifting update. Love them and use them all the time! Designed by Ulla Procope in the early 60s, they're still looking modern! See also this post.

Stavanger finds

I didn't plan to do any thrifting (and that's the truth!!) when I was in Stavanger a fortnight ago, the weekend was all about taking in the landscape (see images here) but somehow, mum and I stumbled across an open air flea market in one of the city squares, and who can resist those?

I immediately spotted this amazing set of 12  Holmegaard Ballon glasses, all in mint condition. They were designed by Per Lütken in 1973. I love the heavy, solid glass stem with the bubble and the very distinct 70s feel. This is the biggest size, they came in three different sizes, where each size was meant to serve several purposes. They  go really well with Ruska, and they're perfect for almost everything. Aren't they gorgeous?

When I got back, I found this single glass in a different size and shape, but from the same series. Perfect for a cocktail or dessert. I'm hoping more of them will turn up!

I have been collecting Ultima Thule for quite some time, but it's going really slowly. If we are not more than the four of us, however, I have enough tumblers. I prefer the Ultima Thule glasses without stems, so what do you experts out there say, can these two be combined (yesterday's dinner setting below) or are they too different? Please ignore that I couldn't be bothered to iron the placemats....

That first stall of the flea market had so many gems. I found two pieces by Nils Aa Sivertsen, one from his time with Graveren (from 1949), the other one from the time he was employed by Stavangerflint. This first one is the Graveren piece, a candle holder. There was a number of products that had this lovely "gingerbread icing". Although I've never found when this pattern was designed, I will be very surprised if it wasn't in the 50s.

This is a Stavangerflint wall plaque, the second piece by Nils Aa Sivertsen. The back says "Sweetheart" and that it's handmade. Isn't it cute? I must admit that if it wasn't brown, it would probably be too cute for my taste... Sivertsen was employed by Stavangerflint in 1968, when Stavangerflint had just merged with Figgjo. He designed several patterns, like Florry, Amber, Bardu, Beito and Karin. I'm not familiar with these. He also designed some purely decorative pieces, amongst them the wall plaques, or relieffs "Mother" and "Wedding". I'm guessing the one I found must be from this series.

Yay!! My Wiinblad monthly plaque number thirteen! That doesn't add up, right? Well, I have two Januarys and two Februarys, but this is my first December, and now I'm only missing August.

The Figgjo Hedda pattern was designed in 1977 by Rolf Frøyland. It was printed on pieces from the Omega line by Ragnar Grimsrud and was in production until 1980. I like how the lid has more solid color and givs the piece some definition. I found some egg cups in this pattern earlier, that you can see here.

And Daisy.... This is only my second piece, I found a skillet a little while ago. I don't have much blue in my home, these are amongst the very few pieces that make the cut. There's something about that almost naive, happy pattern. I had dinner on it every day when I grew up, mum and dad had this and Tor Viking. Later they got Lotte, which they still use. Daisy was designed by Turi Gramstad Oliver, and was in production from 1969 to 1975.

This is my first Elvira piece! Elvira is a handpainted pattern, also one of the wonderful designs of mrs Oliver. It was in production from 1970 to 80. I learnt in the Figgjo museum this summer that the black was printed on, while the purple and brown was painted by hand. You can easily identify the brush strokes that adds to the handpainted feel. I think the pattern reflects the time it was designed so wonderfully. I cannot make out the "June design" on the stamp as I know for sure it was designed by Oliver. Does anyone know what this means?

I've never seen these next two plates before. Designed 18 years apart, they both feature a scene with one of our most famous writers, Alexander L. Kielland (1849 – 1906) who was one of the so-called "Four Greats" in Norwegian Litterature. You might have heard of the more internationally acclaimed Henrik Ibsen, he's one of them. In my Stavangerflint souvenir plates, Kielland is the  sculpture on the market place, gazing towards the harbour in a cape and top hat.

Born in, you guessed it, Stavanger, he grew up in a rich merchant family. Kielland was the younger brother of our amazing female landscape painter Kitty Kielland. Despite being born into wealth, he had a sincere affection for the less fortunate, treating his workers well when he was a factory owner. He remained a spokesman for the weak and a critic of the hypocrisy of society throughout his time as a writer. I really enjoy reading his novels. They give such vivid images of the city at that time, with it's wharfs, fishery and canning industries that made the city before oil was discovered in the 1960s. Right now, I'm reading "Gift" (poison) which takes place in my old high school. The descriptions of the building and the cathedral next to it are so vivid, and it's so amazing to think that we attended that same school 100 years apart.

More familiar places, the first plate, decorated by Anders Jaarvik in 1968, shows him strolling in front of the medieval church at Orre, which you can see in a couple of my pictures here. He called Orre "heaven on earth", and was often seen walking the beach there, which is a place I often visit too, have a look here. His love of Orre was also said to have something to do with a woman... There's a stone next to the church, saying that this is the place he would have liked to be buried. However, when he died he was given a state funeral and a much more prominent burial site. To you Scandinavian readers there's a text on the back which is worth a read.

The second plate is much more recent, it was designed in 1986 and was one of the motifs in a series of ten designed by Henry Imsland for Lions Club. The style is more of a charicature and shows Kielland sitting in the garden of what could be the city house of the Kielland family. Unfortuneately, it was torn down many years ago and I'm not quite sure what it looked like. The family had another grand manor house which is still there and can be visited.

Kielland is said to have been quite a character, I can't resist showing you a couple of images. In the second one, he's posing with another of the "great four", Bjørnstjerne Bjørnson. Oh, the clothes of that time, aren't they magnificent? It seems like Kielland wore this kind of fez for informal occasions and at home, and wore a top hat when he strolled the streets.

My last Stavanger find is this piece of Sandnes pottery. I have mentioned them in several posts, and won't bore you with the details again:-) I was thrilled to find this particular one, you rarely find them in such good condition.

Finally (phew!!!), just a pic to show you some candles I recently found for my Festivos. I think it's really hard to find candles that fit them, but these aren't half bad! I dream of finding the original ball- shaped candles, does anyone know it they're still being produced? Wish you all a wonderful week!!!

Pieces of teak, glass and pottery

This weekend has been one of the really great ones. The weather has been sunny and warm, allowing us to have all meals out on the terrace. I love that. I didn't think I'd be doing much thrifting, but I squeezed in a small stop on my way home from work on friday, and a small trip late this afternoon. I found some stuff that I don't usually find, which was very exciting. At the local salvation Army store on friday, I found another Ultima Thule tumbler (for information, look here). I collect them, and really hope they keep turning up.

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There was also another Kosta Boda snowball votive holder, designed by Ann Wärff in 1973. I found two last week, so there's now a trio.

More glass, I found three small smoky grey Hadeland Fersken (peach) dishes, an award winning design by Willy Johansson in 1956. I guess they were originally designed as individual butter dishes, but I can also imagine they'll be great for soy or ponzu sauce for sushi.

I found this Figgjo Market piece designed by Turi Gramstad Oliver. Market is a rare find over here. A quick search on the web reveals where they all are... (rather large continent to the west:-) I have this one and a lidded serving dish. Unfortuneately, the lid was repaired with glue after having been broken, as is often the case with these. The lids are heavy and fall off very easily. I guess it will get a new life as a small planter in my kitchen in the company of two siblings, Folklore and August. You gotta love those quirky market scenes with all the glorious detail! The butter boxes were designed for what used to be the exact shape of a package of 500 grams of margarine here in Norway. That was later changed into a more rectangular shape, and consequently, Figgjo started making the lower rectangular butter boxes, like my Folklore one below (More Folklore here and here). 

 

 

 
Also, waiting for me when I came home on friday, was a package containing a four ring Festivo for my new collection, a bargain on Etsy. I now have three!!

Saturday was spent in the garden, doing a little bit of grooming. Today, my husband left early for New York, the kids were off with friends and I felt like a bit of thrifting:-) For a long time I've been curious about a lady who regularly has ads on Finn (the norwegian equivalent to Craigslist). She lives a 40 minute drive away from me, and I decided it was time to pay her a visit. She sells all kinds of retro pieces, and has an impressive glass collection. She has a room she calls the "retro room", which is covered in teak shelving full of treasures. She uses what she earns from her sales to restore her beautiful art nouveau house from 1906, and who wouldn't want to sponsor such a noble deed? I hope she doesn't mind me publishing a photo. Her current project is to restore the windows. I have to admit, the house itself was half the purpose of my trip. I love art nouveau, both my own home town and my mother's (Ålesund) has a lot of it, and I think I really fell in love when I lived in Brussels at the age of 15- 16 and visited Victor Horta's house. For you foreign guys, this is what our wooden art nouveau houses looks like. Isn't it beautiful?

I could have bought pretty much everything she had on display, but I really needed to restrain myself. A few goodies came along, though, and I will definitely be going back! The first things I fell for are these wonderful salt and pepper shakers and the salad servers and spoon in steel and teak. I'm not sure who designed the salt and pepper set, but they're most probably danish. They're large and heavy, and I will give them a light sanding and coat of oil to bring out that beautiful lustre. The salad servers and spoon are so incredibly elegant. I've seen them before on the web and have been hoping to find them one day. I know for sure they're norwegian, and I think they're designed by Thor Bjørklund who invented and patented the typical norwegian cheese slicer in 1925. I'll have to see if I can find out some more.

Next pieces I found are two Hadeland Multe bowls, also in one of my favorite glass colors, smoky grey. The Multe (cloudberry) series was designed by Willy Johansson in 1966, and was awarded "Merket for god design". I'm not sure how to translate that, but it's an award where both form and functionality is taken into consideration, given by the norwegian design counsil. They're so beautiful and simple, and I've been looking for one of these to fit the "upper deck" of my Digsmed lazy susan. It has small bowls in the same color and room for a bigger bowl on the upper level. I don't think there was one originally. 

The sweet lady had an impressive glass collection. It was hard to decide what to pick out, but what I couldn't leave behind were these modernist owls by norwegian artist Benny Motzfeldt (1909- 95). She was an amazing glass artist with a large and varied production. Aren't they gorgeous? They're not large, but very heavy, and will work as paper weights or just great sculptures.

The next piece I got was such a thrill to find. I've never seen Kronjyden Relief in thrift stores over here, so this is my first piece, a candle holder, hopefully there will be another one to join it. I love the color and the pattern, and totally agree with Birgitte, over at The Little Black House, that it resembles a danish (or norwegian for that sake) cornfield rather than something assosialted with leaves. "Relief" was designed by Jens H. Quistgaard in 1959-60.

After leaving the beautiful art nouveau home of the sweet icelandic lady, I made a quick stop at an antiques barn. They mainly have older pieces, but look what I found! A Figgjo Tor Viking lidded serving dish! It reminds me so much of growing up, we used to have this at home.Apart from this piece, I now have four small plates, two egg cups and a creamer and sugar bowl that was my mom and dad's.